ArchivesSpace at the University of Iowa

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Emmett Williams and Jurgen Olbrich. The collage is done on the outer covers and the inner bck cover. The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive...

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Klassen, Putz, Ruch and Warnke. Both outer and inner covers are collaged.The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines...

Scope and Contents

This exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines exhibited in this show but does not own several mail art assemblings that originate from Germany. -- Source of annotation: Marvin or Ruth Sackner.

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This book reproduces pages from Haack's "Apokalyse" and "Kunstlerbuch" among others. -- Source of annotation: Marvin or Ruth Sackner.

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The photographic portraits on cards document the friendship of the three artists over the years 1988-1994. The plastic toy house poem object has a small window through which a colored photograph of the artists can be seen when the house is held up to the light. -- Source of annotation: Marvin or Ruth Sackner.

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This images in this book are based upon Motherwell's "Elegy for the Spanish Republic." -- Source of annotation: Marvin or Ruth Sackner.

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Although the edition size is 25 copies, the pages, except for the two photographs, have been handmade by the artist so that each copy of this issue can be considered unique. Scherstjanoi acknowledges that this work was influenced by drawings of Alexander Pushkin, literary works by Leo Tolstoy, and visual images by Alexi Kruchynch and Vladimir Khlebnikov. -- Source of annotation: Marvin or Ruth Sackner.

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This box consiksts of a text is by Hans Hofmann. -- Source of annotation: Marvin or Ruth Sackner.

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The poem object consist of two silkscreened prints depicting experimental music scores wrapped several times around a stiff printed card. The folders insert within a bent open plexiglas frame; the abstract plaster sculpture is sited on the forward bend of the plexiglas frame. The plastic circular poem object with white painted handwriting is mounted on an opened folder on the back of the book object. The sound poem was recorded on the tape casette by Serge Pey. -- Source of annotation: Marvin or Ruth Sackner.

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The night without night in Finland is the period when the sun doesn't set and there are days only. -- Source of annotation: Marvin or Ruth Sackner.

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The title translate from German to English as "square." -- Source of annotation: Marvin or Ruth Sackner.

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Consists of images from everyday life made with rubberstamps manufactured in East Germany prior to reunification of East and West Germany. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of a collection of previously published essays on artist books, installations, and book objects. -- Source of annotation: Marvin or Ruth Sackner.

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This an invitation to the 85th birthday party of Arthur Jaffe, the noted collector of artist and illustrated books whose collection is located at Florida Atlantic University, Boca Raton, Florida. -- Source of annotation: Marvin or Ruth Sackner.

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Zboya writes that he used a computer progam to manipulate the text of Mallarme's poem to produce "non-Euclidean kernals of meaning." -- Source of annotation: Marvin or Ruth Sackner.